category: Open Contributions

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gender/sexuality/italy 8 (2021) – Table of Contents

g/s/i Issue: Category: Contents, Editorials, Collaborations, Gender Studies, Themed Section, Invited Perspectives, Open Contributions, Continuing Discussions, Reviews, Videos

gender/sexuality/italy, 8 (2021) 

Nicoletta Marini-Maio, Journal Editor
Paola Bonifazio, Invited Perspectives Editor
Ellen Nerenberg, Open Contributions and Continuing Discussions Editor
Erica Moretti and Colleen Ryan, Reviews Editors
Victor Xavier Zarour Zarzar and Lisa Dolasinski, Managing Editors
Arianna Avalle, Beatrice Basile, Leonardo Cabrini, Magda Collazo, Jacob DeCarli, Samantha Gillen, Katherine Travers, Assistant Editors

Table of Contents

Journal Editorial
NICOLETTA MARINI-MAIO, Dickinson College, 

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Intersectionality in Italian histories, cultural products, and social practices

Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg Issue: Category: Contents, Editorials, Collaborations, Gender Studies, Themed Section, Invited Perspectives, Open Contributions, Continuing Discussions, Reviews, Videos

Journal Editorial by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg

The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section: “Intersectionality in Italian histories, cultural products, and social practices.” Marini-Maio also highlights the section Collaborations, which hosts discussions and descriptions of current scholarly collaborations. Paola Bonifazio presents the rationale of the Invited Perspectives.

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gender/sexuality/italy 7 (2020) – Table of Contents

g/s/i Issue: Category: Contents, Editorials, Collaborations, Gender Studies, Themed Section, Invited Perspectives, Open Contributions, Continuing Discussions, Reviews, Videos

Gender/sexuality/Italy, 7 (2020) 

Nicoletta Marini-Maio, Journal Editor
Paola Bonifazio, Invited Perspectives Editor
Ellen Nerenberg, Open Contributions and Continuing Discussions Editor
Erica Moretti and Colleen Ryan, Reviews Editors
Victor Xavier Zarour Zarzar and Lisa Dolasinski, Managing Editors
Arianna Avalle, Beatrice Basile, Samantha Gillen, Giorgio Losi, Natura Sant Foster, Katherine Travers, Assistant Editors

Table of Contents

Journal Editorial.
NICOLETTA MARINI-MAIO, Dickinson College, 

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Journal Editorial

Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg Issue: Category: Contents, Editorials, Collaborations, Gender Studies, Themed Section, Invited Perspectives, Open Contributions, Continuing Discussions, Reviews, Videos

by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg

The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section: “Beside, Besides, and B-sides: Collaborations as Feminist and Decolonizing Practices.” Paola Bonifazio presents the rationale of the Invited Perspectives. details the contents of the Open Contributions and the section Continuing Discussions, which hosts informed voices on themes developed in previous issues of g/s/i.

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12.“Per me il documentario è relazione”: The Eloquence of Found Footage and Garment Workers’ Rights in Costanza Quatriglio’s Triangle

Valeria Castelli Issue: Category: Open Contributions

by Valeria Castelli

This article examines Costanza Quatriglio’s use of found footage in Triangle (2014). This documentary film deals with the collapse of a building in Barletta in Apulia in 2011, in which four female textile workers and the factory owner’s daughter were killed. These deaths in the workplace are correlated with the notorious case of the victims of the fire at the Triangle Waist Company factory in New York in 1911. Quatriglio creatively uses found footage to persuade viewers of the similarities between the two accidents at work,

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Gender/sexuality/Italy 6 (2019) – Table of Contents

g/s/i Issue: Category: Contents, Editorials, Themed Section, Invited Perspectives, Open Contributions, Continuing Discussions, Reviews

Table of Contents – Gender/sexuality/Italy, 6 (2019)

Nicoletta Marini-Maio, Journal Editor

Julia Heim, Charlotte Ross, and SA Smythe, Themed Section Guest Editors

Paola Bonifazio, Invited Perspectives Editor

Ellen Nerenberg, Open Contributions and Continuing Discussions Editor

Erica Moretti and Colleen Ryan, Reviews Editors

Victor Xavier Zarour Zarzar, Managing EditorGuido Capaccioli, Lisa Dolasinski, Samantha Gillen, Giorgio Losi, Katherine Travers, Assistant Editors

Journal Editorial.
NICOLETTA MARINI-MAIO, Dickinson College
PAOLA BONIFAZIO,

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Journal Editorial

Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg Issue: Category: Contents, Editorials, Themed Section, Invited Perspectives, Open Contributions, Continuing Discussions, Reviews

by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg

The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section; Paola Bonifazio presents the Invited Perspectives; and Ellen Nerenberg details the contents of the Open Contributions and the section Continuing Discussions, which hosts informed voices on themes developed in previous issues of g/s/i.

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13. Italian Office Workers from Comedy Italian Style to Ugo Fantozzi: A Gendered Perspective

Paola D'Amora Issue: Category: Open Contributions

Represented as a male-dominated space, the office is a privileged site of production of masculine identities in comedy Italian style. The high-ranking male clerical worker is therein depicted as a paradigm of successful masculinity in the Italian economy’s boom years. A trademark of successful masculinity, office design and its filmic representations has evolved throughout the decades, to reflect status and rank, and also a muted aesthetic taste. Comedy Italian style was not the first to represent office interior space as much as to appropriate it (alongside the restaurant,

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14. Anorexic symptoms in Clara Sereni’s Casalinghitudine

Ioana Raluca Larco Issue: Category: Open Contributions

Structured like a cookbook, the autobiographical novel Casalinghitudine (1987) by Clara Sereni uses food preparation, consumption, and preservation as a narrative mechanism to reflect on the protagonist’s journey towards self-awareness and gender and ethnic identity formation. The highly subjective nature of this text is immediately obvious in several ways, such as the assertive tone of the recipes through the predominance of the agent ‘I’ and the overall organization of the book that unusually starts with a section on baby food. 

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