category: Themed Section

6.Teenage “Somatechnics”: Classed, Gendered, and Racialised Subjectivities in Luca Guadagnino’s Call Me by Your Name and Gianfranco Rosi’s Fuocoammare

Samuele Grassi August 31, 2019 Issue: g/s/i 6 (2019) Category: Themed Section

by Samuele Grassi

In this paper I examine presences-absences and dis-allowed mobilities in neoliberal Italy through a comparative reading of two apparently unrelated films: Luca Guadagnino’s Call Me by Your Name (2018) and Gianfranco Rosi’s Fuocoammare (Fire At Sea, 2016). My comparative approach is informed by new materialist feminist critiques, drawing primarily from queer feminist, post-colonial, and de-colonial thinkers whose work aims to dismantle the naturalisation of differences to make new worlds and unmake existing ones.

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Gender/sexuality/Italy 5 (2018) – Table of Contents

g/s/i August 31, 2018 Issue: G/S/I 5 (2018) Category: Contents, Themed Section

Table of Contents – Gender/sexuality/Italy, 5 (2018)

Nicoletta Marini-Maio, Journal Editor
Giovanna Faleschini Lerner and Nicoletta Marini-Maio, Themed Section Editors
Paola Bonifazio, Invited Perspectives Editor
Ellen Nerenberg, Open Contributions and Continuing Discussions Editor
Erica Moretti and Colleen Ryan, Book Reviews Editors
Laura Di Bianco, Film Reviews Editor
Erica Moretti and Victor Xavier Zarour Zarzar, Managing Editors
Sole Anatrone, Amanda Bush, Brian DeGrazia, Lisa Dolasinski, Alyssa Falcone,

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1. Di mamma ce n’è una sola. Misoginia maschile e rappresentazione del materno nella storia italiana contemporanea

Sandro Bellassai August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

In the history of many civilizations, the normative representation of motherhood has been one of the key instruments in the dominance men have established over women. This article focuses on the political function played by maternal stereotypes in modern Italian history, especially in protecting the integrity of masculine identity. Since the nineteenth century, misogynistic discourse has emphasized women’s “natural” destiny, restricted to family life and reproduction. Yet even in the twentieth century, when virilistic rhetoric based on the biological inferiority of women started to fail,

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2. The Ideal Man: Amedeo Nazzari, Fatherhood, and Italy’s Melodramatic Masculinity

Maria Elena D'Amelio August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

This article investigates the stardom of Amedeo Nazzari, both in his pre-war cinematic roles as war hero, and in post-war cinema, where he played the pater familias in a series of melodramas directed by Raffaello Matarazzo and produced by Titanus from 1949 to 1954. While Fascism conceptualized heroism as action and patriotic sacrifice, post-war Italian screen culture redefined the coordinates of heroism through new impersonations of suffering masculinity. Nazzari’s stardom, moving from roles of military virility to melodramatic father figures,

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3. The Secret Pill: AIED, Fotoromanzi, and Sexual Education in 1970s Italy

Paola Bonifazio August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

In 1975, the Associazione Italiana per l’Educazione Demografica (AIED) sponsored the publication of three fotoromanzi as part of a larger campaign effort to educate Italians on the benefits of birth control and the low risks of the contraceptive pill. Against the idea that romances could only be apolitical and escapist tools, the stories of relationships narrated in the AIED fotoromanzi aimed at spreading behavioral models that were deemed appropriate by its sponsor’s policy of public health.

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4. Emigrazione, maternità ed emancipazione ne Il valore della donna è il suo silenzio

Mattia Lento August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

This paper aims at analyzing Gertrud Pinkus’s docu-fiction Il valore della donna è il suo silenzio (1980), a Swiss and German coproduction, its genesis, and its circulation amongst Italian migrant women in Switzerland. Pinkus’s film is one of the few works of the twentieth century that deals with Italian emigration from a gendered perspective. It tells the story of a woman who emigrates from the South of Italy to the city of Frankfurt.

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5. Media-ting “Sterile Masculinity”: On Male Aging, Migration, and Biopolitics in a (post)Berlusconi Italy

Lisa Dolasinski August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

This article intervenes in current discussions on perceptions of aging, masculinity, and (in)fecundity, and their combined effect on perceptions of Italy. The first half of this piece centers on Berlusconi and the broader phenomenon of Berlusconismo. Drawing on queer theorist Lee Edelman’s notion of “reproductive futurism,” and works by Italian philosophers and scholars (Ida Dominijanni and Lorenzo Bernini) who bring together theories of psychoanalysis and biopolitics in their analyses of Berlusconi/Berlusconismo,

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6. Mistica della maternità: nuove repressioni “secondo natura”

Giuditta Bassano, Aura Tiralongo August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

This article looks critically at the widespread revival of the myth of the “natural mother,” observing the confirmation of gender stereotypes in materials directed to pregnant women and new mothers. The authors analyze, from a socio-semiotic perspective, several social healthcare campaigns and Italian press outlets, exploring two main themes: the rhetoric of natural breastfeeding in institutional social advertising and dietary recommendations “for moms”—during and after pregnancy—in women’s magazines. Both parts of their analysis unveil a prescriptive idea of the “good mother” and a normative pressure on women’s freedom of choice and self-determination.

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7. Cybermoms and Postfeminism in Italian Web Series

Giovanna Faleschini Lerner August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

Journalist Loredana Lipperini astutely observes how in Italy “motherhood is the knot” in which are entangled different feminist philosophies, as well as patriarchal views of the maternal figure as the only acceptable version of female identity. In biopolitical terms, the maternal body is “the place where power expresses itself and where power, by assuming control of it, exercises its greatest repression (Lupperini 2007). This article aims to disentangle the “knot” of feminist aspirations and contradictory discourses on motherhood in contemporary Italy as it is explored in three Italian web series: Ivan Cotroneo’s Una mamma imperfetta (2013),

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8. Sul corpo delle surrogate. Analisi del discorso pubblico italiano sulla gestazione per altri

Corinna S. Guerzoni, Tatiana Motterle August 31, 2018 Issue: G/S/I 5 (2018) Category: Themed Section

This article analyzes the most recent Italian debate on surrogacy, using the concept of cultural anomaly as described by anthropologist Mary Douglas. Surrogacy is a complex phenomenon that involves different levels of analysis that intersect with the fields of scientific ethics, law, re/production and motherhood. The authors argue that it is necessary to investigate all the doubts and worries that surrogacy practices raise, since in Italy as in other contexts, the mainstream debate on surrogacy often narrows the possibility of delving into the discussion.

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