15.Miss Marx
by Stefania Carpiceci
DOI: https://doi.org/10.15781/jqpb-9p14
Gender / sexuality / italy
16.Le sorelle Macaluso
by Laura Di Bianco
DOI: https://doi.org/10.15781/c8d5-0q43
17.Una femmina
by Veronica Vegna
DOI: https://doi.org/10.15781/nk7g-qy26
18.A Chiara
by Felice Cimatti
DOI: https://doi.org/10.15781/a3nw-1j44
19.We Are Who We Are
by Damiano Garofalo
DOI: https://doi.org/10.15781/qpq9-dn59
20.È stata la mano di Dio
by Russell Kilbourn
DOI: https://doi.org/10.15781/578g-cp19
21.Il bambino nascosto
by Lorenzo Marmo
DOI: https://doi.org/10.15781/bfpz-sk05
gender/sexuality/italy 8 (2021) – Table of Contents
gender/sexuality/italy, 8 (2021)
Nicoletta Marini-Maio, Journal Editor
Paola Bonifazio, Invited Perspectives Editor
Ellen Nerenberg, Open Contributions and Continuing Discussions Editor
Erica Moretti and Colleen Ryan, Reviews Editors
Victor Xavier Zarour Zarzar and Lisa Dolasinski, Managing Editors
Arianna Avalle, Beatrice Basile, Leonardo Cabrini, Magda Collazo, Jacob DeCarli, Samantha Gillen, Katherine Travers, Assistant Editors
Table of Contents
Journal Editorial
NICOLETTA MARINI-MAIO, Dickinson College,
Intersectionality in Italian histories, cultural products, and social practices
Journal Editorial by Nicoletta Marini-Maio, Paola Bonifazio, Ellen Nerenberg
The editorial includes the Editors’ introductions to their respective areas: Nicoletta Marini-Maio announces the topic and guest editors of the Themed Section: “Intersectionality in Italian histories, cultural products, and social practices.” Marini-Maio also highlights the section Collaborations, which hosts discussions and descriptions of current scholarly collaborations. Paola Bonifazio presents the rationale of the Invited Perspectives.
1.Collaborating during Covid
by Daniela Cavallaro, Luciana d’Arcangeli, and Claire Kennedy
This article describes our collaboration in creating a book containing plays on violence against women and interviews with the theater practitioners who wrote and staged them. The plays included in the book premiered between 2014 and 2018 in London, Sydney, and Rome. The three editors of the book are Italianists who work in Adelaide, Auckland, and Brisbane. Colleagues who have translated some of the plays are based in Melbourne and Sydney.