2. Contro il dominio del canone eterosessista. Una rilettura queer del personaggio di Turandot

Marta Riccobono August 25, 2015 Issue: G/S/I 2 (2015) Category: Themed Section

Contro il dominio del canone eterosessista. Una rilettura queer del personaggio di Turandot

by Marta Riccobono

This article proposes a re-reading of the literary character of Turandot through the perspective of gender studies and queer theory, with particular reference to the works of Judith Butler and Eve Sedgwick. The tragicomedy Turandot, brought to the stage by Carlo Gozzi in 1762, and the homonymous Puccinian melodrama, represented for the first time at the Scala in 1926,

3. Blue-Haired-Girl Mnemonic: Italian Sci-Fi Nirvana

Roberta Tabanelli August 25, 2015 Issue: G/S/I 2 (2015) Category: Themed Section

Blue-Haired-Girl Mnemonic: Italian Sci-Fi Nirvana

by Roberta Tabanelli

This article analyzes the science fiction Italian film Nirvana (1997) directed by Oscar-winning Gabriele Salvatores. Specifically, Tabanelli proposes a gendered reading of the film focused on the character of Naima, a female hacker with blue hair and an implant in her forehead. The author claims that Nirvana’s closing scene, and in particular the last photogram, by re-configuring the characters’ roles in the story,

gender/sexuality/italy

Tag: powerful female characters

2. Contro il dominio del canone eterosessista. Una rilettura queer del personaggio di Turandot

3. Blue-Haired-Girl Mnemonic: Italian Sci-Fi Nirvana

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